The fuckup elves

Finally found the time and energy to mix chemicals and set everything up in the back yard to take a few pictures. The fuckup elves were out in force today and things went wrong in both old and entirely new ways so I learned quite a bit. Took forever to figure out a good exposure. My basic problem is usually hurrying and today was no exception. I should have just taken the time, made a test plate to figure out exposure, but I thought I could skip that step by guessing, which didn’t work so I ended up wasting more plates than necessary.

It was very sunny today, and I am beginning to think overcast days are better for wet plate. Four finally, sort of, turned out and are posted below, from best to worst (IMO).

I am beginning to get tired of shooting pictures of flowers, and looking forward to going somewhere and doing landscapes or portraits.

Kerria japonica, full sun, 4 seconds at f11. 13x18cm (5x7 in) black aluminum

Kerria japonica, full sun, 4 seconds at f11. 13x18cm (5×7 in) black aluminum

The photo above is the kerria japonica bush in my back yard. I have always loved kerry bushes; my uncle, who lived next door, had one near the hole in his wall the honeybees flew into, and I spent many hours sitting there watching them. I love how this picture turned out. It has fewer specks in person, a lot of the dirt is from the scanner, I think.

Bush, full sun, f11 4 seconds. 13x18cm black aluminum.

Bush, full sun, f11 4 seconds. 13x18cm black aluminum.

I was hoping the contrast would have turned out a little stronger with this bush (above), I like the patterns and the potential for creepiness. (Actually, the more I look at it, the better I like it.)

Roses (dry), aluminum foil background, full sun. f11, 4 seconds. Wet plate collodion on black aluminum, 13x18cm (5x7 inches).

Roses (dry), aluminum foil background, full sun. f11, 4 seconds. Wet plate collodion on black aluminum, 13x18cm (5×7 inches).

This picture is my first experiment with aluminum foil. I was hoping it would turn out blurrier in the background, but I guess 4 seconds were not enough. I have seen photos by other photographers who move aluminum foil around during the exposure for a misty or smokey or glow effect. In this picture, it just looks like a piece of aluminum foil stretched between two rods…

Roses (dry), full sun, f11 4 seconds. 13x18cm (5x7in) black aluminum.

Roses (dry), full sun, f11 4 seconds. 13x18cm (5x7in) black aluminum.

A picture of roses in a vase a friend invented – it is basically a plastic collar you screw onto a pickle jar and voila, vase. I think it’s brilliant. The vase. The photo less so. Oh well.Fail better, right? Thanks, fuckup elves!

Valentine’s bouquet 2

Shot today: Valentine's bouquet. Old Workhorse collodion, 14 seconds, f4, overcast day.

Shot today: Valentine’s bouquet. Old Workhorse collodion, 14 seconds, f4, overcast day.

Roses, 29 November 2014 (2)

roses_2_29112014

This is the second plate I took of the same red-and-white roses that day – in a glass vase on a table in front of a wooden fence. Outdoors, drizzling and wintry and starting to get dark, so the exposure on this one was 90 seconds. Same wooden German travel camera from sometime in the early 20th century, Carl Zeiss lens. (I guess I can stop writing that since this is the only camera/lens I currently have.)

f3.5, 90 seconds. Lea’s Portrait collodion #2, ordered from Mamut in Prague, and the first time using homemade developer (I spilled the last dose of store-bought developer I had). Black aluminum plate 13x18cm (5×7″).

This picture is a lot softer than the previous one, which is largely due to the different collodion recipes used, I think. It has a lot of streaks on it, which I am assuming are from the new developer I am using – maybe a different formula? Could also have something to do with the temperature, it was getting cold and although I poured everything indoors, the plates were outside for a minute or so each.

Roses, 29 November 2014 (1)

roses_1_29112014

Weather is grey and drizzly and no one in the family wants to sit still for the minute or so it currently takes for an exposure in those conditions. These are some dried red/white roses in a vase on a table in front of a wooden fence. Taken with a wooden German travel camera from sometime in the early 20th century, Carl Zeiss lens. f3.5, 75 seconds. Old Workhorse collodion (IIRC), and the second-to-last dose of developer I ordered from Mamut in Prague. Black aluminum plate 13x18cm (5×7″).