Dramas are cheaper than comedies

Man, it’s freezing out.

Winter.

But Odin doesn’t wear his hat when he goes to the store. He doesn’t want to make it any harder for the crows to recognize him, and he thinks a hat might do that. It sure freaks out his cats when he wears a hat.

So, no hat.

He buys honey-roasted peanuts and a baloney sandwich in a poppyseed roll. The crows meet him at the bench. Not immediately. He stands there for a minute eating peanuts before the first one, the grey one that reminds him of a duck, Huginn, appears on a telephone wire and swoops down for a piece of baloney sandwich.

Then the second grey one swoops down from the left and fights over another piece of sandwich with Muninn until Odin tosses them a couple more pieces.

For a while, they all hang out, eating silently.

Odin feels particularly unstuck in the multiverse today. All day, he has been slipping easily from one to another.

He is at a movie premiere with his daughter. Standing in the cinema lobby, they crack jokes and watch people, observing the different tribes that show up at movie premieres – the movie actors, the journalists, the photographers, the fans, the weirdos.

They wonder if they should buy popcorn. They agree popcorn should be handed out free at movie premieres. They count uncanny botox foreheads.

Botulinum toxin is the most lethal toxin there is, his daughter says. 100 mg would be enough to kill everyone in the world.

Like Odin himself, Odin’s daughter is a fertile source of useless facts. This makes Odin smile. He has been smiling all evening.

You might want to use 200 mg, though, just to be sure, Odin says.

His daughter has another thing in common with him, too: she attracts nuts. Odin realizes this when a little man appears in their personal space and asks her if she is an actress in the movie they are about to watch.

She laughs and says no.

The lobby is very crowded and noisy now, and the man talks fast, so Odin catches only a portion of what he says, but he hears him say that a local film festival always shows dramas, but never comedies or action films, because dramas are the cheapest. He has something white in the corner of his mouth.

Probably food.

Is that right, Odin says. He moves to stand between the little man and his daughter.

So they show dramas. And documentaries. Documentaries are even cheaper than dramas.

For a while, he tells them about a movie he recently watched. Odin runs through his entire repertoire of things you do to signal a conversation is winding down, but nothing works.

Finally, Odin says, well okay then, grabs his daughter and walks with her to another corner of the lobby.

At one point, Odin gets the autograph of an actress his daughter and he both like.

At another point, they watch the movie. It is okay. It is a comedy, not a drama, and they laugh a lot. Afterwards, the cast come onstage and talk for a while, then Odin and his daughter go home.

Although Odin is unstuck in the multiverse, he is not entirely without control.

On days like this, he can slip almost effortlessly from one universe to another.

He is in his car, realizing it is snowing.

He is riding a train.

He is someone else, in 1972.

He is a man waiting for crows.

He is watching a beautiful woman.

He is playing Arvo Pärt with his daughter – she plays the piano and he plays the cello. Then they give up and he switches to the singing saw and they play it that way, and laugh and laugh.

He is digging post holes with another man, holding a heavy motorized auger between them.

He is back with the crows.

What say the hanged?

Live it up.

What say the slain?

They say live it up, too.

Careers in Science: Deontology

The deontologist looks at the cat that woke him up. How can such a young cat be so huge, he wonders. The other day the deontologist opened the back window so the cat could climb in and he (the cat) fell off the fence before he reached the window, he is so fat. Not fat, exactly, though, just… huge.

The deontologist feeds all three cats and enjoys the few minutes during which huge cat is distracted by food and not walking figure eights around the deontologist’s feet. The deontologist thinks about everything he wants to do that morning: practice cello for half an hour in the cellar, meditate, do yoga, water things in the garden, feed the tortoise, and a number of other things.

His wife and kid are sick, though, so he postpones his new regimen of morning cello practice until the weekend.

He does the other stuff, though. And push-ups. See, the deontologist saw a website where a young woman describes teaching herself to dance in a year, by means of obsessive practice. The deontologist is all fired up.

Outside it is cool and looks as if it might rain, or might not. He puts two sections of the wooden fence his daughter is painting onto sawhorses in the back yard, as they are too heavy/bulky for her to move around.

The plum tree is heavy with green plums. The pie cherry tree is full of ripe pie cherries and blackbirds. The apple tree is full of green apples. The row of strawberries is over, but there will be raspberries all summer, and the grape vine is heavy with green grapes.

The deontologist checks on the vegetable garden at the rear of his abundant back yard. There is a big green zucchini hidden among the weeds, and a couple yellow zucchini. There are two big cucumbers ready to go. His vegetable garden is, at this time of the summer, most abundant in zucchini, mosquitos and slugs. He considers whether zucchini are the slugs of the vegetable world.

The slug traps are full of dead slugs, dozens of them, all drowned humanely in beer.

He spies a few ripe cherry tomatoes and plum tomatoes. The big beefsteak tomatoes are starting to change color. But tomato and cucumber season won’t really get going for another week or two.

At lunch, the deontologist walks to the noodle shop and buys a takeout thing of chicken and rice. He walks around and finds a bench under a tree where he had shared a sandwich with two crows earlier in the week.

Two minutes later, the crows are back. The same two crows – a large, grey-black one and a slightly smaller black one. The larger one seems more intelligent because it is more cautious. It won’t come any closer than two or three meters. The smaller one comes up within five feet of him. The deontologist throws them a couple pieces of chicken after making sure it is not too hot.

Crows are always so surprised when he is nice to them!

The crows move away when cars drive by, but come right back. They leave for longer when someone walks past with a dog.

The deontologist wonders if there are hygiene rules against sharing your lunch with crows inside the city limits.

He throws a little rice into the gutter for grey crow, but it lands too close. The deontologist moves a couple steps away so the crow can eat the rice.

There are laws against feeding pigeons, he knows. Pigeons are degenerate birds, rats with wings, but certain people get a kick out of them.

The deontologist prefers ravens and crows.

If there were coyotes in Vienna, he’d feed those too.

But there are no coyotes in Vienna.

Bees

Last week was busier than I like. I can tolerate going out about once a week, and I was busy every single day last week, due to a rare alignment of regularly-scheduled events (yoga class, cello rehearsal) and occasional, random cultural events (theater subscription, concert subscription 1, concert subscription 2, interesting concert 3).

On Monday, we (my wife and I) watched a performance of Anna Karenina at the Volkstheater in Vienna. Although I was familiar with the story, I found it very hard to understand the actors. It was a good production, the Volkstheater is generally a safe bet since Michael Schottenberg took over there as manager, we’ve been fans of his for decades. I slept very little, although I get up pretty early in the morning.

Tuesday I had yoga class. I slept very little.

Wednesday we went to the Beriosaal at the Konzerthaus for a live performance by the ensemble Phace of a new musical piece composed by American composer Gene Coleman to the 1926 Japanese silent film A Page of Madness, using both Western and Japanese instruments, if there can be said to be such categories. It was very good and I slept very little.

On Thursday we watched Bach’s St. Matthew Passion at the Grosser Saal of the Konzerthaus, performed by the Collegium Vocale Gent / Herreweghe. They were very good, the orchestra played period instruments (I noticed Baroque celli and a viola da gamba – which had a wonderful solo). It is interesting to observe how the crowd varies from event to event. It can be youngish/middle-aged and snooty but trying to appearcounter-culture, or old and cultured and somehow less snooty, and so on. The Bach crowd struck me as quite elderly and generally well-to-do or at least well-dressed (there was a lot of jewelry on display, though), quite slender in general, and very slow-moving until the concert was over, at which time they were t the coatcheck very quickly.

Friday’s event was the most interesting for me – there is a series in the town of Krems called Imago Dei, concerts in the Minoritenkirche there. We watched a performance by cellist/composer Frances-Marie Uitti, the ensemble Extracello, and Buddhist monks; the event consisted of a Buddhist Puja ceremony (ceremony to honor the creative spirit?) and composition(s) by Uitti. For this performance, Extracello tuned (according to the program) their cellos to unconventional tunings, and played primarily open strings and flageolets (which resonate longer than when you are fingering the strings), and Uitti is famous for playing with two bows in one hand. I expected her to do that to be able to play all 4 strings at once, but she somehow manages to coordinate the two bows in unexpected ways and it was quite fascinating.

For your viewing pleasure, I will include a few Uitti links here:

her website

Video 1 (Vimeo)

Video 2 (Vimeo)

Video 3 (Vimeo)

It was an interesting week, but it was too much for me and I will be digesting this for some time to come. A lot of images and ideas were poured into my head while I was in a trance state this week, as if the creative spirit unscrewed the top of my head and poured in a basket of bees, which now fly through my mouth and make honey in the empty spaces inside.

(PS: as you can see in the videos, Uitti has an ALUMINUM CELLO from the 1920s. With an awesome dent.)

I played the cello last night

I played the cello last night.

I had a cello lesson last night in the backroom of a music store near my house. It is a small shop crammed full of fascinating instruments. If I have time before my lesson I stand in front of the singing bowl rack, hitting the variously-sized singing bowls with the little hitter things, wishing I had spare money for a couple, and a few other things. I wonder if it drives the woman who runs the shop crazy, or if she is used to it.

The backroom is the most crammed-full room in the store, with lots of merchandise boxed on shelves and a carpet on the floor, and just enough room for my teacher to hold lessons. I couldn’t say if the acoustics are good there, or bad, although I supposed if they were terrible she wouldn’t be holding lessons there.

I have been learning a cello sonata by Benedetto Marcello. We sat there last night, playing it, and I’ll be damned if it didn’t sound beautiful.

Not just better than the previous lessons. It sounded really nice.

I always low-ball and so on but I had to smile while we played and think, this is what I have been taking lessons for ten years for.

Twelve years, whatever.

Although, it wasn’t actually why I took lessons. I took up the cello thinking I might learn something about the cello, and appreciate music better; get a peek through the window into the House of Music or something.

I thought I’d try it for a few years and give it up.

So it wasn’t exactly the attainment of a goal last night, it was more like a pure, unexpected bonus, that blessed little moment.

I would have hugged my teacher afterwards, but the room was small and I didn’t want to knock over a cello or freak out my teacher.

So, yes, despite jetlag and so on, I played the cello last night.

Thanks, Alena.

Thanks, Uncle Phil.

Thanks, Ruth.

Thanks, family.

Thanks, friends.

Thanks, life.

The perfect way to spend St. Patrick’s Day

Watch the music videos Gamma and I have made:

http://www.youtube.com/playlist?list=PLE6D425DBE5B6623E

Maybe don’t watch them all at once. They could, potentially, get a little monotonous. Gamma thinks maybe I ought to try a little structure.

Goldschmutz Death Valley

January 17th is Art’s Birthday. I doubt I will get anything else done in time, so here is my present to art. Happy Birthday, Art.

The film is footage from the Prelinger Archives, again. The soundtrack consists of an altered (slowed-down) drum track, Jomox T-Resonator, and electric cello run through various effect devices.

Cello update

Nothing new for ages, then the piano/cello notes to Arvo Pärt’s “Spiegel im Spiegel” arrive in the mail and I have met with a woman looking for someone to play cello duets with.

On the former: the notes look insane. They look like something I would see in a nightmare about playing and/or composing a piece, but not because they are complicated. On the contrary, because they are so simple. Simple, minimalistic piano, even simpler cello.  And behind that simplicity lies the devil, of course, or god, or both, or god when he’s drunk, or angels. We’ll find out. Go watch it on youtube. I am trying to get Beta to play it with me on harp, and also trying to get Gamma to fire up her piano and play it with me as well. First I have to learn the cello part. And get the piano tuned.

On the latter: she came over to my house last night and we tried a few pieces. I expected it to be awful and frustrating, since learning to play a duet is an order of magnitude harder than just learning a piece, and we didn’t know the pieces we were trying to play. But it was considerably less awful and frustrating than I had expected, which I expected, being an experienced pessimist and low-baller. So all is well. I am curious whether she will want to continue. I hope so. Probably. I do. As she left, she’s like all, do you play any other instruments?

And I’m like all, should I? And I’m like, saw, theremin and tin whistle, but not super-good or anything.

And she’s like, blink.

And I’m like, you know, singing saw? And I start explaining the theremin, with which she was perhaps not familiar, and offer to show it to her next time.

If there is a next time.

Who know?

We’ll see, won’t we?