Reading music

Girl: “Dad are you just lying there on the sofa reading music?”

Man: “Mm-hm.”

Girl: [Shakes head]

The kind person who helped me shop for cello music had to sing the music to me to give me an impression of what it sounded like, because I had been convinced it was impossible for me to, you know, just look at it and know what it sounded like. But then, as she sang it, I tried to sing along (very quietly) and it actually worked, somewhat.

And I remembered how Beta would 1.)sit down and read a new piece of music and then 2.) play it on the harp, more or less just like that. I had been impressed by how she could read a piece of music the way you might read a story.

So there I was with a bunch of new music, so I decided to try that myself. I curled up on the sofa with Gabrielli‘s Ricercari. I read the accompanying foreword and I hummed along with the music the way a child sounds out the words as he or she learns to read. It was a start. I guess a phobia of one kind or another had prevented me from trying that before. Or a failure to imagine that it might be possible.

Gabrielli’s Ricercari (I haven’t tried to play them yet) are interesting because they are among the first tunes composed for solo cello. According to the second article linked above, these compositions were also influenced by the recent (at that time – late 1600s) invention of wire-wrapped strings which made them more responsive and enabled cellists to play faster, more or less.

I can’t wait to try it. But right now I’m working on “Impromptu” by Alexander Arutunian. It has sort of this Armenian folky feel to it which is kind of neat. So far so good.

Lucky

I don’t want to jinx anything, but I have been somewhat happy lately. The German word for happiness is the same as that for luck: Glück. That feels right.

Not sure why. Maybe I’m sleeping better.

Maybe it’s the phase of the moon. Austrians are strongly affected by lunar phases. The moon is currently full, and the road to work was full of crazy asshats this morning. Either the full moon turns about 25% of Austrians into really bad drivers, or it makes me cranky, impatient and hypercritical.

I think it’s sleep, though. I have a phobia of going senile. After observing the process in two relatives, I have the feeling that there are aspects of the onset of senility that one notices about oneself and either accepts or denies, and there are (and this is maybe worse) aspects that one does not perceive. And I have noticed myself forgetting words and names. I tell myself that I have done this all my life and it is just the fact that I am 50 that I connect it with senile dementia, but one still worries. And I did get all flustered at the music store recently and buy a stack of sheet music that I had eliminated, and neglected to buy the notes I wanted, and had to go back the next day and exchange, but that can happen to anyone, right?

And now that I am sleeping, I feel less confused. So there’s that. And there is also the thought that maybe part of my problem is that I’m surrounded by so many sharp people. There are all you smart people reading this. There are all my smart friends. Many of you belong to both groups, of course. There are the women in my family who have been kicking ass lately. Gamma, who turns 13 in a few days, was at the doctor recently for a checkup with her sister and her mother, where the following conversation ensued:

Doctor: Und was hast du für Beschwerden, Gamma? (What complaints (symptoms) do you have, Gamma?)

Gamma: Ich kriege viel zu wenig Taschengeld! (My allowance is way too low!)

Anyhow. Maybe I need to watch Fox News for awhile until I start feeling smarter.

Raptor reloaded

RAPTOR is a sound system designed to scare birds out of your vineyard with recordings of raptors etc. Raptor Reloaded is a  project by alien productions in which contemporary composers provide other sounds to keep starlings out of your grapes. You can listen to a sample here. This is the coolest thing. I hope they do this again next year.

About fish

What are you listening to?

This piece I’m composing.

What kind of piece?

String quartet.

Can I listen?

Sure, here.

(the piece is 2.45 long currently. the guy starts getting antsy around 2.00, gives up at 2.30) Okay. What’s the, um, theme?

Fish.

Fish? It didn’t sound like fish.

It’s about fish. Grunion.

Grunion.

They’re special fish. Once a year during the same full moon each year they swim onto the same beach and mate and… (sees the guy has lost interest) … and so on.

Okay.

Grunion.

Okay.

They’re special fish.

Okay. You ever post compositions to MySpace or something so people can comment about them?

No.

Useful feedback.

Grunion. Remember that.

The Cripple’s Reel

I would like to compose a tune with that title, “The Cripple’s Reel”. With some unusual time signature, such as 7/3 or something. Or, perhaps, being a reel, 19/8. I know what you’re thinking, you’re thinking, Always the odd shite, Mig, because you don’t know enough about music to make something normal that’s interesting. To which I reply, What’s normal about being interesting? I mean, interesting about being normal? Unless the normality is merely a mask behind which nefarious or subversive intentions are implemented? That would be somewhat interesting.

I’ve been thinking about writing a clinical study on the interaction of muscle relaxants and Jameson Irish whiskey.

Abstract:

Large, mostly dark Gestalt appears to pursue two lighter, one reddish, one grey, and much faster shapes through a lime-green space, suggestive of infinite time/space.

See, this morning after Gamma left for school the kittens got into Gamma’s room and I, still a bit groggy from my “back pill” last night, was chasing them, in my usual black suit and tie, cursing like Harvey Keitel (I like to think) in a Quentin Tarantino film (Bad Vet, maybe). And the elusive little critters were diving between the bed and the trundle bed beneath it, and I would wait 30 seconds silently and, missing the attention they would climb back out, and I would chase them again, and they’d dive back under the bed. This went on for six minutes, or twelve tries, until I caught the female and tossed her out and closed the door. The male is easier to catch, generally, but by this time I was impatient, and my back was killing me from all the diving around, goddammit, so I endeavoured to make his trundlebed hiding place less comfy by sliding it back and forth with increasing velocity until he opted to join his sister in the hallway at which point all was calm again.

I have not combined back pills with whiskey since the first time due to the previously-mentioned (elsewhere) side effects which include falling down (due to excessive relaxation) and being treated well by my wife due to her mistaking me for a friend.

I have, besides this study, also been thinking about dementia, and two relatives directly affected, and how they are coping or not and also, as one does, at least if one has hypochondriac tendencies, wondering whether this dark hole haunting me has any connection to this.

You know the dark hole, right? Not really a hole, just this vast darkness in your mind? Or your meta-mind? This darkness back there, so dark it’s hard to say anything more about it but I’ll try? And you wonder if the names you forget, or switch, or the words you have trouble accessing, are somehow connected, and whether your pursuits, such as ballroom dancing, or music lessons, or artistic pursuits, or composition, are a good insurance policy against this, or useless.

Time will tell, I guess.

Also, fucking back, man.

At least I’ve been dreaming more lately. Great dreams, I am very grateful for dreams. Thanks! Two nights ago I was on a ship of some kind on a stormy nighttime sea, with a Danish singer of whom I am fond, and the ship was sinking, and maybe there was an airplane, and water was coming in, but the ship was very buoyant and my singer friend was reassuring me that this was entirely normal and the ship would not, in fact, sink, and that we would make it to Iceland just fine, or something. In the second dream that night I was pointing a plastic rocket launcher at a family about to escape in a helicopter, waiting for them to take off so that they would die in the crash when I shot them (they were bad guys) (there was also a cargo plane in this dream) when my alarm went off.

Last night: my wife walked into a wall in a seaside Japanese town (or so I was informed by a young man in the dream) and I was a spectator at a massage contest, and one of the masseuses and her friends had decided to massage me, when my alarm went off.

And so it goes.

The big night

Re: #8 on my list of 50 things down below there (which has been updated and more or less completed), as John Cage writes in his book “Silence”,

WOW.

Excuse me, that Red Bull belch made my eyes water. Taurin or something. That’s what I get for drinking the large can.

John Cage writes, composing, performing and appreciating music are three different, unconnected things. Id est, it would be totally legimate for me to compose such a piece, and no doubt an audience could appreciate it, but my guess is it would be the performance part where the whole thing falls apart.

Not so with my latest composition, which is going to be performed tonight. The composition is done, a duet for theremin and soprano, with a background tape of the voices you sent in (both natural and highly distorted). It has been rehearsed, and works. My biggest problem is avoiding being enthralled by the singer’s beautiful voice and forgetting to make sounds on the theremin.

I am curious about the reception it will receive. It will be recorded, and videotaped, and I will post something if I can work out all the rights and stuff.

Originally, I had hoped to get someone else to play the theremin part, but it seemed fair to me that the composer play his own composition, no matter what Cage said.

Wish me luck, or to break a leg or whatever thereminists say.

Rupture an eardrum!

Reverse a chakra!

Get a shock!

On microtonality and intermittency technique

Concert tour to Italy last weekend, i.e. my amateur orchestra played a theater in Vicenza.  It was wonderful. Here a few impressions, in no particular order because I am still really tired.

While professional musicians have it bad (cheap hotels on the outskirts, wine in plastic cups while VIPs get the crystal), amateur musicians sleep in youth hostels and drink home made wine from 2-gallon bottles in parking lots.

Which was a lot of fun, as it turns out.

Vicenza is a nice town, with a cool theater. Also they’re sharp dressers.

I’m not going to call it messing up my intonation and leaving out the hard notes any more. Instead, it will be known as exploring microtonality and intermittency technique.

At least I wasn’t the one who barfed (discreetly) on stage1.

As far as I know, no one in the audience barfed.

Weather was beautiful in Venice, where we spent a few hours on our way back.

1a high point of my musical career, witnessing that