Mind-mapping

I’ve been reading a book on mind-mapping, “The Mind Map Book” by Tony and Barry Buzan. I’m not sure what to think of it. I haven’t tried doing a mind map yet, so I can’t say whether it works. The book makes some astounding claims about how it can improve memory retention, organization, and creativity, all things important to me. The positivity of the whole thing reminds me, although there is no other reason why it should, of other systems that ended up evolving in to sects and cults (Transcendental Meditation, other new-age stuff), so I retain a measure of suspicion about the whole thing. Have any of you experience with mind-mapping?

Using this method, I’m going to try to map the novel I wrote, in the hopes that it will kick-start the rewriting process, which is currently giving me big problems.

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Ballet

Gamma returned from ballet class.
“What did you do in class today?” her mother asked her.
Hair still up in a bun and still in her outfit, Gamma showed her.
“We jumped thirty five times each, like this,” and she jumped thirty five times, gracefully, farting with each jump.
“But I didn’t fart in ballet class.”

Canon Inversus

My cello teacher showed me a new tune yesterday, Mozart’s “Canon Inversus”. It is an interesting little piece – some site I just googled mentioned something about Mozart discovering Bach in connection with it, so I guess it’s something clever Bach would also have done. It is a piece for two cellos (or two violins or two violas, depending on how it’s arranged). But instead of the two parts being written on parallel lines one above the other and played from two separate sheets, this is all on one piece of paper. The musicians sit down facing each other, the paper in the middle, and one plays from top to bottom, the other plays it backwards, from bottom to top.

It sounds k3wL too and has a neat Apocalyptica-type sounding bit in the middle.