Something brief about playing the cello

So it’s been what, nine years roughly. And my teacher just now shows me this thing, a composition for three or more cellos, four basic patterns to be played at will, over and over, composed in such a way that no matter which patterns you play, or how you play them, they sound good together. And I was all, Wow, because I could, for once, not freak out about reading the notes or my intonation, I could concentrate on hearing and making the music.

And I was all, motherfucker, why didn’t you show me this nine years ago? And defenestrated him, finally.

Actually, I was all, why do these sound good together? and he was all, Pentatonic scale. And I was all, Ahah.

Because I’d had an idea for a composition that worked roughly that way (patterns played at will) but got busy with something else.

I was talking to a guitar-teacher friend who said improvisation is the highest form of music and I said, yeah, but you have to know what you’re doing and he said, What about you and the theremin? and I said, WTF is it with you music teachers? Actually, I said, I’m not claiming that’s a high form of music, what I do with the theremin. His point with the theremin was, most players are improvising without actually mastering the instrument, which is probably correct.

Where was I? Pentatonic notes on the cello. It sounded beautiful. I could play that all day long. I was all, This is why I’m studying this here instrument.

Early Shakespeare, and orchestra report

Shakespeare’s Father: Forsooth, my lad, thou weep’st more loudly than a maid at the deathbed of her betroth’d!

Shakespeare: Father, verily, I beg thee, rein in thy anger and desist in your violence!

Shakespeare’s Father: Aye, thou dar’st call that violence! Weep’st thou? Weep’st thou? Wilt thou sound reason for weeping? Thou maid! Shall I provide thee with sound reason for weeping? Verily, I shall fetch mine girdle and give thee sound reason for weeping!

Everything sounds better in Shakespeare.  Now if I could only remember what this was supposed to segue into…

But, no luck.

Did your dad used to threaten to get the belt when you were a kid, too?

Damn, it’s gone.

I was out of town with the orchestra this weekend. I was awfully sad most of the time, despite the fact that our rehearsals were held in a castle in a nice little town in a nice scenic area and I didn’t get lost driving there. I had a nice room, pleasant roommate, the food was awful but that’s not high on my list of priorities. It snowed, and that was pretty.

The rehearsal rooms were big enough and the acoustics were good. But the entire time I sat there feeling sad and thinking that playing the cello is, for me, like being married to a beautiful woman who will never love me. And I thought back on my cello career, and how the predominant emotion I associate with it is despair and not joy, which made me wonder whether now would be a good time to look for a new hobby.

I was seated next to a young woman who was a far better cellist than I am, with wicked technique. Very crisp bowing, which made it necessary to pay close attention to my own bowing to avoid collisions i.e. accidentally bowing in the wrong direction and poking her. At first it was just more stress and the vast difference between her ability and mine added to my despair, but then I noticed that I had learned more about bowing in the few hours I had been playing next to her than I had in the past several years, and my perspective began to change.

I plugged in my theremin during a break and various people goofed around with it.  I sometimes forget that not everyone is familiar with the theremin. It was fun to watch people try it out.

While brushing my teeth I noticed in the mirror that I still have paint flecks on my glasses from painting a room at our house weeks ago, but every time I remove the glasses to clean them, the paint flecks are no longer visible.

We played our first concert of the season on Sunday, in an excellent venue, in a new building with fine acoustics and a stage large enough for the orchestra. The only thing missing was an audience. We played, let’s see, works by Haydn, Beethoven, Kodaly, Bizet, and um… Bartok.  The orchestra played very well. It was too bad that so few people came to hear us, but maybe eleven AM on a Sunday is not the best time for concerts.

It was great fun to play with so many talented kids.  I made relatively few mistakes, and nothing really awful. The teachers who run the show are all brilliant, and our conductor is especially wonderful.

Another concert next week, and the week after that we go on tour to Italy. For a weekend, but still.

So it’s all very nice, but my relationship with the cello remains as desperate as ever. I really don’t know whether to stick with it, or change to the double bass (a slightly heavier, plainer woman who might or might not love me), or spend more time with the ukulele (a woman who is in a good mood all the time) or what. Maybe look for a new metaphor.

Orchestra I

So Beta signed me up for the orchestra. Or, rather, I was automatically signed up as a student at the music school (it’s just a little amateur music school orchestra full, mostly, of kids and some adults) and Beta twisted my arm and said I had to try it this year.

So I said okay, thinking the concert was, I don’t know, sometime way off, in another century. But it is in April, it now appears, which sounds far off but is in fact not too much more than a month from now.

The cello section had its first practice last weekend. There are seven celli. Two of the kids are children of friends. Two of the girls in the group are quite good, one of the boys is nearly as good, at least he can keep up. Another girl never gets yelled at, and two freckled boys appear to be worse than me, at least they kept getting upbraided and I didn’t.

The way I see it, if all goes well I will learn all the parts and do okay. If things do not go well, I’ll just sit in the back and fake it, as there are 6 other celli to take up the slack.

I realize, of course, that there are at least two little boys thinking the same thing, and perhaps one girl, but that leaves three, maybe four competent celli so no big worry, I imagine. Plus there are enough bass players to fill things out.

It is a real ass kicking experience, that I can tell you after a single practice of only the cello section. But I went into it without having practiced anything even once. All the notes I saw there I had seen for the first time. It was very much the holy shit this looked easier than it actually is experience.

The first practice involving, theoretically, the entire orchestra is next week. I can’t wait.